Posts In: participatory
Narratives in a Time of Crisis (2022)
Narratives in a Time of Crisis is a MoVE (method.visual.explore) project that uses citizen journalism as a participatory (arts-based) research strategy to prioritize the perspectives, needs and concerns of international and domestic migrants involved in sex work in South Africa. The project invited a small group of individuals to share their stories of love, hope and hardship following one of the world’s harshest Covid-19 lockdowns.
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Bua Modiri (2019)
Bua Modiri is Setswana for “speak out worker”. The name was chosen by a group of sex workers during a Sisonke meeting. Participants in this project were asked to focus on messages specific to their occupation.
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Mwangaza Mama (2019)
Mwangaza Mama is a creative storytelling project that was undertaken in collaboration with a small group of cross-border migrant women living in Johannesburg. Inspired by previous MoVE work, the main aim of the two-year project was to learn more about migrant women’s everyday experiences of the city by including them in the production of knowledge about issues that affect them.
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MoVE, participation, and partnerships
A consistent aspect of method:visual:explore projects (MoVE) has been the partnerships that create the conditions necessary for various projects to occur. Most MoVE projects usually occur in some partnership with a specialist social organisation, and sometimes, with another research body. This post takes stock of some of these connections.
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Examining the use of participatory visual and narrative methods to explore the lived experience of migrants in Southern Africa
In this paper, we explore the opportunities – and challenges – associated with visual research methodologies.
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Before you judge me, KNOW MY STORY: review by Joy Watson
Nasty Women blogger Joy Watson reviews maHp’s KNOW MY STORY participatory arts-based research project.
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A day to day account of a participatory arts-based workshop
This blog entry offers a facilitator’s glance into the day to day activities that comprise a participatory arts-based workshop conducted in partnership with a grassroots activist organisation.
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Queer Crossings
Oliveira, E., Meyers, S. and Vearey, J. (eds) (2016) Queer Crossings. MoVE and ACMS: Johannesburg
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‘Know me! But, remember that this is only part of who I am’: a participatory photo research project with migrant women sex workers in inner-city Johannesburg, South Africa
Oliveira, E. and Vearey, J. (2016) ‘Know me! But, remember that this is only part of who I am’: a participatory photo research project with migrant women sex workers in inner-city Johannesburg, South Africa. In: Arnold, M. and Meskimmon, M. (eds) Homeland: Migration, Women, Citizenship. Liverpool University Press: Liverpool
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I am more than just a sex worker but you have to also know that I sell sex and it’s okay: Lived Experiences of Migrant Sex Workers in Inner-City Johannesburg, South Africa
A perceived opportunity for improved livelihoods has made Johannesburg a target destination for many internal migrants moving within the borders of South Africa, as well as for cross-border migrants from around the continent and beyond.
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Research, arts and advocacy: launch of Izwi Lethu project book
‘Izwi Lethu: a participatory arts-based project’ book was launched at the Sex Workers Education and Advocacy Taskforce (SWEAT) and Sisonke office in Johannesburg last week.
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Research, arts and advocacy: launch of Izwi Lethu project book
‘Izwi Lethu: a participatory arts-based project’ book was launched at the Sex Workers Education and Advocacy Taskforce (SWEAT) and Sisonke office in Johannesburg last week.
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