Narratives in a Time of Crisis is a MoVE (method.visual.explore) project that uses citizen journalism as a participatory (arts-based) research strategy to prioritize the perspectives, needs and concerns of international and domestic migrants involved in sex work in South Africa. The project invited a small group of individuals to share their stories of love, hope and hardship following one of the world’s harshest Covid-19 lockdowns.
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Join us today (23 September 2021) at 15:30 – 17:30 (SAST) for the launch of a new book edited by maHp/ACMS postdoctoral researcher Duduzile Ndlovu, ‘Moving Words: Poetry In/ As Research’.
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In this dispatch ACMS/maHp postdoctoral researchers Rebecca Walker and Elsa Oliveira reflect on ‘Mwangaza Mama’, an arts-based storytelling project that they undertook in collaboration with a group of seven migrant women from across the African continent, who are now living in Johannesburg.
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Security at the Margins (SeaM) is a three-year collaboration between the University of Edinburgh and African Centre for Migration & Society (ACMS) that uses interdisciplinary research to understand (in)security in marginalised communities in urban South Africa.
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Mwangaza Mama is a creative storytelling project that was undertaken in collaboration with a small group of cross-border migrant women living in Johannesburg. Inspired by previous MoVE work, the main aim of the two-year project was to learn more about migrant women’s everyday experiences of the city by including them in the production of knowledge about issues that affect them.
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In this chapter, maHp researchers Elsa Oliveira and Jo Vearey present and discuss three related participatory arts-based research projects conducted in partnership with Sisonke: the national sex worker movement in South Africa.
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A consistent aspect of method:visual:explore projects (MoVE) has been the partnerships that create the conditions necessary for various projects to occur. Most MoVE projects usually occur in some partnership with a specialist social organisation, and sometimes, with another research body. This post takes stock of some of these connections.
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Postdoctoral fellow Becky Walker reflects on the “Life in the City” arts-based research project, which explores the experiences of women who are migrants and mothers living in inner-city Johannesburg.
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Come join the Migration and Health Project Southern Africa (maHp) team! We are seeking to recruit two post-doctoral fellows.
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Visual researcher Quinten Williams shares his notes and reflections on the Stitching our [HIV] Stories: Activist Quilts project’s origins, the workshop process, and the exhibition of the work.
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In this paper, we explore the opportunities – and challenges – associated with visual research methodologies.
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Nasty Women blogger Joy Watson reviews maHp’s KNOW MY STORY participatory arts-based research project.
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This exhibition showcases the pictures, collages and stories created during the KNOW MY STORY project; an arts-based research that explored the lives, struggles and reasons for selling sex. The event will include a discussion, dance performance, and role play.
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This blog entry offers a facilitator’s glance into the day to day activities that comprise a participatory arts-based workshop conducted in partnership with a grassroots activist organisation.
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maHp/ACMS postdoctoral researcher Becky Walker’s latest blog reflections on her current arts-based research project with migrant women/mothers from the Democratic Republic of Congo (DRC) and Burundi who live in inner-city Johannesburg, and are seeking asylum.
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#artsmethods provides spaces for dialogue between the multiple stakeholders involved in developing, undertaking and sharing visual, arts-based research projects.
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Oliveira, E. and Vearey, J. (eds) (2016) The Sex Worker Zine Project. MoVE and ACMS: Johannesburg
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The #artsmethods 3 Symposium held at the 10th to 11th November in the Worker’s Museum, Newtown mined the unstable territory of images and ‘collaborative arts’, and the conditions of their creation.
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